despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards’ the nothing special label.

invite’s choice records continues on the path chosen with a 3-track vinyl release which showcases some new and well-established names. hertz collision has the honour of being chosen to be the only artist showcasing a track on the a-side. this eerie, melodic track sets quite a special mood for the ep to start with. the b-side is opened by wrong assessment with a track that’s focussed on the low-end. this synth-driven track fits well in the mood set on the a-side, but continues with a heavier drive. the droning kick draws you in and makes you want to go dance the day away in smoke-filled rooms. savas pascalidis finishes the ep off with a banger true to his own style that relies on the drummachine for’s swing. this oldschool, loopy techno banger closes another outstanding ep by invite’s choice records.

with the telepathy ep, new talent dalvik debuts on vinyl with four high-quality, classic underground house tracks. -real- starts off as a deep, prescription underground inspired track, yet with plenty of fresh new ideas and a voice sampling to be recognized. -after glow- is a slower hypnotic synth journey perfect for the early morning dj set or to chill to the day after. the b-side starts off with a peak hour house slammer, serving as a nice complement to the deeper a side. the final track is a more leftfield, experimental journey, with vocal snippets and trippy synths. the under the radar label romb records delivers another dj favorite!

following his uplifting 2015 single holdin on and its techy b-side faces, rony seikaly is back for another release on yoshitoshi that proves this renaissance man is a force to be reckoned with in modern house music. the two tracks on this ep possess deep grooves, but also flex a fair amount of melodic muscle. they liken back to the sound yoshitoshi became well known for in its infancy. the sword centers around some tribal percussion and carefully woven melodic ideas, but the track?s focus is decidedly on low end. a burly, assertive bass gives the mix a driving character suited for late nights. at time it feels like a modern take on progressive house from another era. all of a sudden is more or less an extension of the first track, giving the ep defined consistency. it s a delicately arranged and straightforward house feeler, the meat coming from a multitude of interlaced chords and melodies maneuvering carefully over more tribal percussion and a monstrous kick. the mission here is to inspire awe and wonder in dancers, and seikaly delivers on both accounts.

rsd 2016 itemn - must not be asold before 16.4.2016. j ohn frusciantes foregrow doesnt sound like any acid test record, or any record, thats come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this ones truly a passage through night. frusciante’s using elements of john carpenters eternal scores, the drum programming dna of jungle and footwork, and yes, a roland tb-303, all slowed down to a crawl. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

(180gr vinyl) from funk and soul to afrobeat, ethio-grooves, dub and hip hop, their sound remains firmly anchored in the world of jazz while taking off to the cosmic stratosphere and incorporating electronic elements, alongside traditional brazilian styles along the way

after neue grafik , the s3a records team releases another great new blooded talent from germany : henry l ! the * gemini* track, clearly for the mcde lovers, is a smashing hit. it goes forward a sexy downtempo interlude: dust it off. to finish the side, * dice game* is a great deep house track done in collaboration with matt flores and contains live played * mk1 rhodes, drums, percussions…* the b side comes with two great remixes from s3a and cuthead of the a side tracks with a henry l hiphop badass skit between! a great release from the s3a records team for sure!

after cutting his teeth supporting berlin s keinemusik crew, fabian braunbeck branches off with his own original ep. moody & beautiful, its lush textures clearly show an artist who has paid attention while working with some of the industry s best, yet has a voice all his own, not to mention he s picked up a few tricks on the way. the ep s title track needs absolutely no introduction, just press play. we welcomed back our good friend ruede hagelstein to remix the a side and as the partyers at panorama bar would agree now for weeks on end it works!. the b-side is a much more percussive and moody affair, getting a remix from fellow berliner filburt who puts his own mark on the originals cornerstones.

the btrax records label is back after few years off, and we are sure that new ep will not disappointed you. we are very proud to put out 1 stunning track made by one of the label artist : camille rodriguez from paris - france. electronic music drives his life for over 10 years now, he has developed his own style incorporating all his influences. he is passionate about the live, and create that way with synthesizers, sequencers, bar and samplers... he likes pushing himself sweating behind his machines, improvising at every moment, keeping control of every sound in order to play more intuitively, getting a better communication with the crowd... “andalusian 2.0” comes in two guises, the original mix which delivers some perfect techno keys and claps over its stomping techno beat, giving it live performance style flavor. the traumer remix takes it into darker warehouse territory but still retains the warmth and groove. kaine’s remix delivering some tough dub techno workouts that still have just the right amount of funk and groove.

over the course of the past ten years, stil vor talent has striven to support emerging young artists, to continuously broaden and redefine its sound, and, ultimately, to create lasting memories, both on and off the dance floor. the dance floor is the place where we gather to leave the worries of our everyday lives behind, and, for those few moments, form a bond, which transcends the final track of the night. a bond between each other between the artist and the dancer, between ourselves and the music. on 10 years stil vor talent we celebrate this bond and say thank you.
the double vinyl lp comes in a gatefold sleeve and includes a download code for the full album plus bonus tracks (see below).

disoriented dance music for people who love the ocean.

from the depths of the dark net come telkhin, the latest addition to the shipwrec roster. following earth being recycled on detroit underground, the argentine project are debuting on vinyl with five tracks of off-world electronics. the chilling atmospherics of -body container- meet the needle before an electro iciness takes hold. spiking snares and echoed radiowaves orbit the moody walk in, that same frosted futurism central to level above human. telkhin melts man and machine, giving the computer age a humanoid form. processors whirr in the bassy bleeps and residues of brithomber before the final statement. leaving the human world behind flight 19 is a fast and future funk driven piece of 2050 music. forget the past, embrace the next step. limited run of 150 coloured copies.

church launch new off shoot label * church marble* with a four track ep from australias mall grab.

here at bearfunk we have been pretty busy as of late it was a casual visit to geneva just like any other. we had just finished a buzzing set and soon after we found ourselves talking to a five bearded academic types. it turns out they were a bunch of theoretical physicists out on a cosmologists night out. they work them hard at cern and that day the large hadron collector had been a real beast rebooting five times before lunch. they were pissed off and needed a new challenge. we offered them a job on the spot and they promptly moved to our london hq working on a wage of tea, vinyl and nandos. we set them a challenge. build us a time machine! they started soaking up all those bearfunk-groove-boson particles and. you know what? they did it! a time machine of our own. our first task, jump back in time to 1985 and retrieve us something really cool. set controls to the manhattan office to celluloid records. fresh from their hit with herbie hancocks rockit, spearheading rap with fab five freddys change the beat and afrika bambata stompers the legendary label is preparing to release the debut album from nyc-paris emigre lord funk.

manchester s rainy city music continues to celebrate 20 years of the record label in 2016 and continue the success of the last two vinyl releases by dele sosimi afrobeat orchestra, via their own label and also with berlin s innervisions label. the 20 year celebration is also riding high on the current huge success of the re-issue of their second ever release from 1996 by city people it s all in the groove , now available again by the hugely popular artist motor city drum emsemble. this new release by artists irfan rainy & rex leon is a 4 trk ep from their digi lp titled cross step drag, a reference to the house dance culture from new york city. the four tracks released here highlight the huge variety in styles of house music created by the mancunian duo. the a side s track one vodun is simply voodoo / tribal house music for lovers of the old school jovonn sound. track 2 smash the silence is a brand new version of previous digital only release where afrobeat & house music are combined. it features the rasping vocals of lagos based nigerian actress vera e and the definite influence of fela kuti. flip to the b side and get to the deep dark twisted underworld of black america via snoop story (ode to the wire) and you hear one of the moodiest dance records you will ever hear and a tragic story of snoop, one of the wire s best performers from the cult tv series. the final track on the ep manc union dub is a dub house groove where ghostly brazilian candomble vibes meet the electronic dub beats of rhythm and sound. rounding off a hugely varied four track sampler receiving support from a huge cross sections of djs including danny krivit, at jazz, rahaan, kai alce, mad mats, osunlade, karizma, severino (horse meat disco), dj spinna & marcellus pittman.

gari romalis and lello di franco - dreamin for the uninitiated, our man gary romalis is the unsung master of detroit’s house and techno scene. having djed across the motor city’s top venues for the last three decades, gary is somewhat of a seminal figure for many of detroit’s djs currently at the forefront. following a slew of high quality releases on various labels over the past few years, gary now unleashes that special flavour on us for skylax 142! he is not alone though. with him, he brings all round italian partymaker, and top selector in his own right, lello di franco. let me tell you, this duo’s collaboration is something to behold. throughout all 3 tracks on the record, gary and lello maintain the essence of what the detroit underground is all about, stripped back tracks with soul that never feel like they go ‘big’ for the sake of it. while dreamin (wanda mix) may be packing a big kick and power clap combo, it’s the elegantly filtered, jazzy sample that will leave you wishing that the track lasted forever. the vibe takes a dip right into the deep in detroit underground (beat dat mix). spacious pad synths alongside a mesmeric vocal carry us through. taking a step back up, afrobeat rounds off the ep, made with a solid toolkit of afro-centric samples.

we here at l a mission like to whip out our politics in public. we kinda get off on it. and so were especially excited to slip you b eaners first solo outing on the label. from track titles to sound samples to magazine articles to packaging, this record / magazine / performance package highlights im/migration, the brown experience, and stripped identity.supported by: dave aju, mr. ties, axel boman, mr. tophat & art alfie, duane harriot/devin dare, the black madonna, the mole, eddie c, christopher rau, zambon (the very polish cutouts), delfonic, brandt brauer frick, massimiliano pagliara, luke solomon, west norwood cassette library, delfonic

it’s not easy to create something that sounds epic and yet doesn’t veer off into cliche-riddled pathos, which is why the latest release from gaspard de la montagne hits so hard. it’s perfect.

after kicking off 2016 with the massive don t need ep from callahan featuring that remix from man of-the-moment hodge, dext is back with another banger of an ep from fast rising uk producer mella dee. the man from doncaster, uk has been creating a name for himself on the scene of late with releases on redlight s lobster boy and shy fx s digital soundboy imprint, and his dext debut certainly doesn t disappoint. over the last year or so, he has been masterfully fusing 90 s jungle influences with driving house & techno percussion and his ep for us is, we think, his strongest work to date.

after a few months out of the vynil circuit elevate is proud to present the first of many va vinyls first off we have the monster remix of pig&dan s lizard king by the prolific julian jewell supported by plastic man richie hawtin and a dance floor weapon played by pig&dan in most of their sets belle is a dark trip into oblivion with a massive baseline that keeps chugging on till it breaks into a devilish distorted synth baseline that shocks but enchants the listener. next we have hantrace with its beautiful deep stab but pumping baseline the perfect main room track for late night produced by up and coming producer uakoz last but not least we jspr s redemption the complete techno track with a powerful motif that progresses as you inmerse yourself into this beautiful voyage that evolves keeping the audience focused and in a trance. we ve very carefully selected these tracks from various releases to make each track of this vynil mean something, enjoy :)

the german saying *ist der ruf erst ruiniert, lebt man voellig ungeniert.*, meaning once your reputation is ruined, your life gets easy, sums up a lot about furfriend s artistic doing. *freedom of filth* lives tightly along those lines and throws its full force of lushness at you, growing into an empowering industrial monster that makes you want you to rip all clothes off your body. if jfk did it, so can you. if big room sound is too much for you and you miss the simplicity and pervy voice of dingo tush that made the duo famous, you will wanna follow their instructions for self appreciation and have a listen to *touch myself*, a trainlike fuckfest for the dancefloor. make sure to bring some lube! following is a short live recording from the *fuck olympics* ... we are just going to leave this uncommented here.
pressing on yellow translucent vinyl.

red ember records is still legendary in certain circles despite shutting up shop 15 years ago. after some time out of the public eye, though, ewan jansen himself is still very much in business, and here he is with four brand new cuts on his debut for chez damier’s inner balance label. after the appropriately pastoral intro to ‘harvest’ we dive headlong into a flurry of vibrant, detroit-influenced programming of the kind kept alive all these years by rei loci and kirk degiorgio. ‘sines of life’ takes a well-earned breather on the flip, its laid-back setting and all-enveloping bass a massage for the weary body and soul. finally the mood turns playful on ‘square dance’, the chopped, breaksy and off-key groove completely at home alongside uk technicians norken, herbert and ben nevile. it’s rare for people to stay on their game for this long but, as this ep aptly demonstrates, ewan jansen is no ordinary musician.

when we started heist a few years back, our idea was to give a stage to talent in a same way as we have had a helping hand by the labels that have supported us from the beginning. therefore, i’s our pleasure to share this release with you by newcomers ouer, a berlin based duo with only a handful of tracks out so far on their self released debut last year. their approach to producing is very much jam based, and with a compact collection of synths, drum machines and a fair level of distortion, they succeed in creating their own sound with hints of classic electronic music from chicago and detroit. theres a nice mix of energy on the whole ep, the ascent being the most driving track of the package. fans of classics mcde tracks will love show off with its dreamy dx7 style chords and cracking acid lines. move over feels like a jam session that was way too much fun with some lovely solo work on the synths, whereas mess around goes down in similar free-ride style on the synths and again, has some lovely sampling going on. an impressive ep were just all too happy to have on our label. sincerely yours, lars & maarten

elephant moon continues its steady schedule of releases with a brand new ep from label owner john dimas and danish talent samuel andre madsen (aka s.a.m). on this fresh new release we re treated to two tracks from monsieur dimas and two from s.a.m. to open we have a quirky little space jam called moon patrol by john dimas. it has chunky percussion at its foundation with off-key chimes and cosmic pads giving it an interstellar feel. samuel s reshaped for moonwalk mix puts john s mix on a diet, making it far lighter and focusing on the ethereal elements turning it into a sweet galactic ditty. on the flip we get a sombre bossa nova ride from s.a.m., all jazzy with a grooving bassline and galloping beats. its a cool, laid back riddim from the dane and were sure youll love it. john dimas gives the track his own monday mix, bringing the tempo down even more and crafting a delicate heady rework.

seb zito is an essential piece of the fuse jigsaw and his flat 1 ep sees the london based producer continue his ascent with his most dance floor focused tracks yet, harnessing the spirit of london s halcyon tech-house days. the vinyl only burnaby kicks things off a blissed out wiggler of a groove, the tracks b-line undulating throughout the track to give a real sense of character whilst holywell slams hard with its thudding kick and rampant percussion

ark & pit spector continue their inspired journey with an extended ep full of groovy jams and absorbing rhythms for hold youth. the frenchmen have formed a potent alliance with a series of expertly-crafted, high-quality releases dropping over the last couple of years. on this new ep they go deeper into their sound explorations with five original works and a remix from their parisian buddy and hold youth member, le loup. first up, we go into bumping jazzy territory with ‘chauffage central’, a mesmerising cut with swirling pads, soulful vocal clips and a jaunty b-line. straight up after that, hold youth rudeboy le loup gives ‘chauffage central’ a funky little rework, throwing live sounding percussion, nubian vocal clips, trumpet parps and a pumping bassline into the mix which gives a totally different identity. the final track on side a, is a cheeky teaser called ‘petite ondée’. rolling out for just under two minutes the track has a muffled, jazz-esque feel to it with a warm rolling bassline and bright, sparkling piano keys. on the flip we kick off with ‘air conditionelle’, a lush, retro feeling with those oh-so-familiar heavy-hitting eighties snare licks. the bassline takes you to a new york city street and the whole atmosphere is that of an old school nyc neighbourhood, while a spoken-word sample adds a human touch just before the track comes to an end. ‘sub tropical’ goes a little leftfield with an unusual combination of sounds in tandem with a pulsating low end, occasional sax licks and punchy percussion to give it plenty of energy. ‘averse et contre tous’ closes out the ep with a slothish ride into the sunset – ark and pit spector show their experimental side presenting an odd union between blues samples, gruff electronic sounds and piano keys. another triumphant effort from ark and pit spector, in fact, some of the finest work to date. make sure you check it out!

high mobility weapons unit continues its exploration, entering an unknown solar system and landing on a desolate mining planet. the counter rockets ep is the second release on the imprint, drawing influences from heavier, lo-fi territories, whilst still maintaining hmwu s characteristic space techno sound. the a-side starts off with the title track, counter rockets , which is a dj tool that combines functional bleeps with machine processed percussion. a2 serves up abandoned interstellar tomb , a fusion of atmospheric deep space bass and jacking drum patterns. on the b-side, deep sea deposit kicks things off with a poly-woven synth line that contorts and shifts throughout the track. finally, excavation site rolls along with its muted melodies and haunting fx, all built above a floor of sub-bass.

for our 50th release on delusions of grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing dog artists and veritable newcomers alike. kicking off part one we have rush hour regular nebraska who manages to successfully combine elements of wait for it... trance and broken beat into an altogether more exciting and amazing way than that actually sounds on paper. organic, sampled drums with plenty of grit and dirt lay down a groove whilst spacey synth arps and an almighty break (in a subtle way) make this something of an epic which all of us here have fallen for in a big way.

fresh from his recent outing as hesperius draco, alessandro parisi is casting off for his debut on charlois. the italian is setting out his stall with a five tracker. honeyed bars are cut by sharp percussion as the brooding -meduna waves- opens. space soaked synthlines coil around a pulsing drum for the slow burning -cosmica 1999.- the flip sees a wave edge enter. cascading chords and a bolstered beats form the pain streaked beauty of -fear and money never had.- -exhibition of love- is brimming with meaty snares biting into thick strings combined in a power filled piece. parisi illustrates his enviable talent throughout, a talent that comes to the fore with the arpeggiated intensity of -virtualand.-

hieroglyphic being kicks off a series of remixes for prins thomas’ “principe del norte” album with his 2 takes on the track “d”.

dabj favourites denis sulta & ct trax make a welcome return alongside mysterious new boy fear-e! denis sulta lives in a bedouin temple in a far off eastern land where he lounges in his imperial bed chamber surrounded by a bevy of beautiful women. these scantily-clad, exotic felines soothe his body and mind with an array of mystical massages as he lies on his luxurious ruby red, egyptian cotton sheets. he only drinks the finest buckfast wine and dines on delicious delicacies from far flung corners of the globe. so, thank the lord he was willing to give this up, jump down to the basement and lay down time 4 prayer, another fucked up dirty funk sulta classic. denis tags in fear-e for his dabj debut. candis quadra is a sexy wee off the shoulder number that’ll have you goggle eyed and panting for more. on the flip, ct trax completes the mouth-watering line up to smash home two winners and lift the trophy for the all stars.

winding, far off instruments flutter over subtle layers of tape hiss and slow synth drones in this first ep from deeply cultured. tracks of pure ambient dreamscapes and synth experiments merge with muted sample snippets and considered noise bursts.

brasilian producer lypovsky debuts with his double tracker on resopal very proper. his nightmare in kongostr. vinyl features two remarkable tracks that capture his many versatile talents from driving house tools to reduced on the point techno. both tracks are full with brooding vibrant pads and spikey synths linger over spacious drum patterns, while live drum fills, and claps bouncing off the bass pulses as wandering keys usher in. played by villalobos.

south london analogue material is back with the long awaited release from keepsakes. whadyyatalkinbout is a ruthless opener, its aggressive, distorted techno with all the keepsakes trademarks. the remix by bas mooy is a dance floor tool and has been doing the damage over the last few months. on the flip gorbs house is rough down tempo stomper with a naughty acid section and forward strategy group finish off with the b side remix giving the ep nice balance.

bodyjack returns to his bodytrax label with another 3 outstanding bodytrax. is he always like this? is an infectious groove-based techno workout which has been tried and tested by a select few djs over the last few months. kamala’s revenge is a hypnotic tribal roller with darkside vocals, off-kilter rhythms and & tripped out fx. one for the heads down crew. last but not least, the uptempo house jacker disrespect combines a killer bassline and bodyjack’s now signature razor sharp beats ’n’ stabs to round off the ep. oh, and there are 4 locked grooves on the 12- release for the heads. don’t sleep on this one!

amir alexander makes his triumphant return to argot with an exceptional and enigmatic new record, the butterfly. since providing the label’s inaugural release in 2012 with his gutter flex ep, alexander’s music has graced the catalogues of respected labels like secretsundaze, finale sessions, and hype_ltd, and expanded his vanguard sounds and anunnaki cartel imprints. the butterfly finds alexander picking up the conversation where gutter flex left off, but now he s speaking it in a new language.

the second chapter of the startup label series starts with the dreamy * oaas*. its gravitating ambient body music picks up right where startup label 1 left off. the sparkling dust of quarry_s has settled, and mutates into a liquid morphing bass drizzle. moving on to ‘found_weaver’ the hazy synths find a more rhythmical form accompanied by a staccato groove. when the record is flipped a new world gets exposed on the track * wolf*. a more consistent and articulate track with a killer groove. startup label 2 explores the musical map of clubland travelling further than the dance floor, not afraid of venturing behind the * here be dragons* signpost.

off kilter, sideways and savage, weekend circuit continues, stanislav tolkachev returns and yyyy enter for this versatile, two sided release.

early support from raresh, akufen, and jan krueger, next up on sol asylum is non other than julie marghilano with her innerspace ep. taking the listener to another dimension of sound, she brings her range of musical knowledge to create a solid package with a stunning remix from fred p. starting things off on a analog journey with “innerspace” we move through an interstellar universe with detailed grooves full of percussive splatters and echoing synths that moves us into a dream like state of mind. conjuring the jazz planet in berlin with“katzbachjazz”you are immediately transported to a galaxy of sound with galloping percussion and a classic techno layout. using more 909 techno drum elements she creates a whirlwind of sound with a delicate touch. taking things a little bit deeper with “cosmic karma” she presents a heavily detailed drum structure full of violin experimentation that creates a dark atmosphere but still bringing an uplifting and joyous vibe. finishing off the package is something unique from fred p who julie asked to remix for her due to her enormous respect for him. the emotionally charged remix of“cosmic karma” shows a different side of fred p while still keeping his signature sound in tact. the remix takes us through an ever-evolving voyage through time and space.

splendor & squalour number 3 sees brame & hamo return to their rising imprint. since the boys ep lamajs secrets on dirt crew we have seen them do a string of remixes for labels such as kolor ltd, heist & their very successful remix for harry wolfman and loz goddards uncle buck on dirt crew. all these releases have kept a steady momentum going for the sligo boys in the house scene. for this ep we have a full 3 tracker consisting of all original cuts. the ep kicks off with kebab dreams which takes us on a trip to the moon with greasy drums and saucy groove. up next is the mpc workout cert city paying homage to their hometown of sligo. closing the ep we have retch wretchedness which takes a darker turn showing us the spookier side of brame & hamo while still keeping the jazzy touch. a peak time track for sure.

jumpmono records is the brand new label from uk techno brothers, anti-slam & w.e.a.p.o.n. after the growing success of their digital only label, jumpstereo records, it was only a matter of time before the brothers went back to their roots and created a label not only for the digital world but also heavily focused on vinyl.
for the first release we happily welcome one of the finest producers of the past few years, raul mezcolanza, with his incredible track called diagram.
on remix duties we have super duo, spektre, who bring a superb, harder techno edge to the release. etai tarazi takes care of the second remix with a more stripped back and melodic approach that works perfectly across dance floors and label bosses, anti-slam & w.e.a.p.o.n. finish off the release with their usual energetic, groove driven style.

it is by now no secret that the sounds of the kick drums echoing off the hills of the tennessee valley have been singlehandedly redefining what we know to be truly proper for the better part of a decade now. however, the faces of those that make up this new world order have remained largely in the shadows. as such we are beyond excited to bring tennessee’s two most elite producers, memphis’s will azada and knoxville’s alex falk, back to cgi.

after jumpsteady’s tour de force feature on tom dice’s falling off (previously available on don t bite records), he returns with a lyrical workout. an extended metaphor on slippery reptilian foes, he pulls no punches in this characteristic onslaught, consistent since his debut feature on crack the mike by dynametrix in 1994. if you like raw beats and raw rhymes, this one is for you. there will only be 150 of these available for sale, so get one quick - the perfect antidote to deadly snakebites.

“radiation level” is a looped out dj tool that works it’s way through funk guitar licks & rolling bass lines, followed by the sultry & sleazy “freakin’ time”. the flip kicks off w/ classic electro boogie vibe “breakin’ in space” & closes w/ roller disco vibe “switch”.

ltd to 300 copies
das komplex emerged from thin air last year with a series of tasteful 12 s that piqued ears from producer peers and vinyl seekers alike. near me , the latest offering from the polish impresario s coastal collection of body movers and mind melters, is a warmly welcomed fit for young adults 10th release. openwork socks kicks off the festivities with a sultry slab of machine music for soft humans. while tortuous thoughts dusts off the flutes, strings and soulful vocal samples for an all out disco-boogie jam that will fill floors with ease. the title track, near me, tips its cap to kraut and liquid liquid backbone elements as it chugs its way into a squelching 12-minute opus. finally pralina pounces on its way out with dubbed-out funk licks and slick phase shifts.

nice price deal !!! this graze release is in the superfluid phase. as long as it remains superfluid, it will exhibit the principle of continuous flow. properties such as mid-range density, bass pressure and sonic velocity are assumed well-defined in this state, and are assumed to vary continuously from one track to another.
sounds may be artificially introduced, like percussive tracers, or they may be naturally occurring, full-spectrum tracers may be either. quantized tracers remain constant following bass parcels, whereas off-grid tracers (such as snares or toms undergoing a mutual reaction) grow or decay with frequency.

part two of fhloston paradigm (aka king britt) beautiful cosmosis ep series starts with the haunting broken techno of nimoy, bass line and subtle piano gently modulating over scissoring drum machines and dubbed out claps, the switches in rhythm and the layers of chugging drums catching you off beat. the track builds into a heart-tugging melody, the drums breaking up under it s force. return is a pure analogue brain massage of a track, a deep space exploration of undulating arpeggios and shimmering emotive notes. the hour finishes the record, slow building waves of melody and chords, shimmer and swell, the repetition and addition of a mournful bass line consolidate the emotional energy of the track.

the btrax records label is back after few years off, and we are sure that new ep will not disappointed you. we are very proud to put out 2 stunning tracks made by one of the label founder : ben men from paris - france.french electronic music scene activist since the early 1990s, ben men is a multifaceted artist, both dj, records dealer, producer and party promoter. since 2001, ben men s btrax parties are hosted at legendary rex club. co-founder of the label -btrax records” with releases of the legendary 7 scan from detroit, vince watson, electric rescue, scan x, julian jeweil, mr c... he was co-founder and manager of record stores statik and basement trax records from 1996 to 2002.just a quick description of the tracks, “the journey” is… as you can imagine, a musical journey track clearly dedicated to the label influences. landscapes of twisting textures, brooding melodics which embarks upon a stunningly trippy journey of it s own.“morning glory” a straight-up slice detroit-infused melodic techno, adds a tough drum line and sweeping touches, as his signature style shines through

sonic fissures sizzle the bacon they ain t faking -blow your zip code-. a subterranean world of street wisdom and cosmo-ghettology. sensational spits grit over the grit, keep them swaying as they stagger from grey luminous fog coming in off the atlantic. a cohesive nugget of rolling energy my presidential rolex. kruton whips up jagged shards of rhythm into the air. elaborate thought processes conveyed through instinctive vocal responses cake! weapons grade prana, hooks and bass